Explore the Museum's historic Old City neighborhood and iconic Revolutionary-era sites on daily walking tours. Info & Tickets

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Showing 951–960 of 1374 results for Virtual Tour of Washington's Field Headquarters
This image shows the book cover of Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry by Philip Morgan. The background is white. “Slave Counterpoint” is written in black at the top of the cover. The subtitle is written in a deep red towards the bottom of the cover. There is a mirror image of a slave, in a sepia tone, with a stick in their hand and with their heads pointing downward. The slave is standing on grass.

Slave Counterpoint

This excerpt from Phillip Morgan explains the value of studying slave culture in the eighteenth century and “humanizing the institution of slavery.”
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I, Eliza Hamilton by Susan Holloway Scott

I, Eliza Hamilton

Read an excerpt from Susan Holloway Scott's work of historical fiction about Eliza Schuyler, wife of Alexander Hamilton, during the Revolutionary War.
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This image depicts the book cover of The Indian World of George Washington: The First President, the First Americans, and the First of the Nation by Collin Calloway. The cover shows a portrait of a young General Washington on the right and a portrait of a Native American on the left. The Native American looks at the viewer while General Washington is looking at the Native American.

The Indian World of George Washington

This excerpt from Colin Calloway shows George Washington’s initial lack of understanding of Native allies and their impact on the nation’s founding
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This image depicts the book cover of They Were Good Soldiers: African Americans Serving in the Continental Army, 1775-1783 by John Rees. The title and the author’s name are written on the bottom of the image in front of a green background the tip of the book cover is a painting of five African American soldiers all in various states of firing and positioning their rifles across a field to an army of British redcoats. One African American solder is on bended knee. To the right of the soldiers is a white Army officers with his arm extended toward the British soldiers. The picture depicts the white army officer instructing the African Americans to fire toward the enemy.

They Were Good Soldiers

In these excerpts from John Rees, Black veterans share details of their service, emancipation, and freedom in the midst of revolutionary ferment.
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This image depicts the book cover of The Men Who Lost America: British Leadership, the American Revolution, and the Fate of the Empire by Andrew Oshaughnessy. The cover shows a British general on a white horse pointing with his right arm. There are two British soldiers looking up at him. There is a cannon in front of the horse, and, in the background, there is a countryside. There is smoke in the air as well.

The Men Who Lost America

Read an excerpt from Andrew O'Shaughnessy about the failings of ten British leaders whose actions shaped the outcome of the American Revolution.
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The Sortie Made by the Garrison of Gibraltar by John Trumbull
The Metropolitan Museum of Art

The Museum Marks Hispanic Heritage Month 2024

Throughout Hispanic Heritage Month, the Museum will explore the contributions that Hispanic Americans made during the American Revolution with daily programs, talks, and online resources from Sept. 15 to Oct. 15.
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Image 091020 16x9 Battle Brandywine Map

Plan of the Battle of Brandywine

This detailed battle plan shows British, Hessian, and American troop positions and movements during the Battle of Brandywine, September 11, 1777.
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Image 092320 16x9 Continental Army Discharge Collection 1783 Militarydischarge

Jeremiah McGowan's Continental Army Discharge

Private Jeremiah McGowan of the 2nd New York Regiment received this discharge from the Continental Army signed by General George Washington.
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Image 120220 16x9 Collections Musket Made At Rappahannock Forge

Musket Made at Rappahannock Forge

Made at Rappahannock Forge near Fredericksburg, Virginia, this musket is a copy of a British Army musket from the Revolutionary era.
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Johann Cristian Oerter rifle from the Museum's Benninghoff collection

Rifle Made by John Christian Oerter

Moravian gunsmith John Christian Oerter made this rifle at his workshop in Pennsylvania’s Lehigh Valley, about 60 miles north of Philadelphia.
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