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The Museum of the American Revolution’s newly discovered watercolor of the encampment at Verplanck’s Point is one of two known panoramic views of the Continental Army in camp, both of which army engineer Captain Pierre Charles L’Enfant created in 1782. When the Museum’s curators first saw the watercolor of Verplanck’s Point for sale at auction, they immediately saw similarities to L’Enfant’s panorama of West Point owned by the Library of Congress. An investigation of other original sources—diaries, letters, army orders, and maps—helped date both scenes to a narrow time period of three months, August through October 1782. Further study of the Verplanck’s Point watercolor’s provenance and a small ink inscription on the back confirmed that L’Enfant painted it during the Revolutionary War. The Museum’s discovery provides modern audiences with a glimpse into the highest professional moment of the Continental Army, the artistry of Pierre Charles L’Enfant, and a new eyewitness view of George Washington’s war tent. 

Take a closer look at the line of tents of the 2nd and 4th Connecticut Regiments. Structures made of brush are visible in front of the line of tents. The structures provided shade for the soldiers and decoration for the camp. 

Image: Museum of the American Revolution, Gift of the Landenberger Family Foundation 

Take a closer look at a group of soldiers in the foreground of the painting. Also notice the lines of tents in the distance with the Hudson Highlands in the background. 

Image courtesy of Library of Congress, Prints and Photographs Division, Washington, D.C.