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Showing 111–120 of 150 results for Flags and Founding Documents
This image depicts the book cover of Forging Freedom: The Formation of Philadelphia’s Black Community 1720-1840 by Gary Nash. It is a white cover with a sepia toned image of a Revolutionary era building with a door and windows on either side and three windows on the second floor. The top of the building is triangular. There are people walking down the street in front of the building.

Forging Freedom

Read this excerpt from Gary Nash that details generations of free blacks as they pursued a secure and dignified existence based on self-employment.
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This image depicts the book cover of Epic Journeys of Freedom: Runaway Slaves of the American Revolution and their Global Quest for Liberty. The bottom of the book covers is a map of the world in red. The top of the book cover is an image of a man’s right eye and his nose. Behind his face is the extension of the map from the bottom.

Epic Journeys of Freedom

Read this excerpt from Cassandra Pybus that personalizes the wartime stories of black men and women who fled their American masters to seek freedom.
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Braddock's Defeat by David Preston

Braddock's Defeat

Read this excerpt by David Preston that summarizes the challenges of a pivotal battle and its impact on the Revolutionary War two decades later.
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This image depicts the book cover of Eyewitness Images from the American Revolution by Arthur Lefkowitz.

Eyewitness Images from the American Revolution

Read an excerpt from Arthur Lefkowitz that introduces less-celebrated figures of the war and reveals their methods for creating art amidst the war.
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This image depicts the book cover of Monmouth Court House: The Battle that Made the American Army by Joseph G. Bilby and Katherine Bilby Jenkins. The cover depicts General Washington on horseback on front of his army. There is a large American flag, with 13 stars, flying in the wind.

Monmouth Court House

This excerpt from authors Joseph Bilby and Katherine Bilby Jenkins shows George Washington receiving recommendations from his generals regarding the readiness of American troops
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First Ladies of the Republic

First Ladies of the Republic

Read an excerpt of Abrams' First Ladies of the Republic: Martha Washington, Abigail Adams, Dolley Madison, and the Creation of an Iconic American Role.
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This image shows the book cover of A Fools Errand: Creating the National Museum of African American History and Culture in the Age of Bush, Obama, and Trump by Lonnie Bunch, III. A Fool’s Errand is written in golden bold letters, while the subtitle and Lonnie’s name are written in white font. There is a photograph of Lonnie in a suit and his hands folded in front of him. He is smiling at the viewer.

A Fool's Errand

This excerpt of Lonnie Bunch intertwines his personal experiences with the long road that led to the National Museum of African American History and Culture.
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This image depicts the book cover of Sally Wister's Journal. It is a true narrative of Sally Wister who was a young girl who lived through the Revolutionary War. The cover is tan with a portrait of Sally Wister in a box in the center. She has red hair and fare, white skin. She is wearing a white laced dress and a brown brimmed hat.

Sally Wister's Journal

This excerpt from Sally Wister's journal begins as the British marched towards Philadelphia and she fretted over the uncertainty of her place in the war
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This image depicts the book cover of American Spring: Lexington, Concord, and the Road to Revolution by Walter Borneman. The cover shows a painting of a man on a black horse. The back of his rifle is visible behind him, and he is pointing with his right arm. There is a man on the ground next to the horse with his rifle over his right shoulder. The man on the horse is speaking to the man on the ground.

American Spring

This excerpt from Walter R. Borneman looks at the first six months of 1775, as tensions between the colonial resistance and the British Government grew.
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This image depicts the book cover of A Revolution in Color: The World of John Singleton Copley by Jane Kamensky. The title of the book is written in yellow with a red background in the middle of the image. Above that, there is an image of John Singleton Copley’s eyes looking at the viewer. Below the title is an image of a Revolutionary battle—the central figure being a woman with a baby in her arms and her young son by her side fleeing from the action of the battle.

A Revolution in Color

This excerpt from Jane Kamensky provides an introduction into the world of artist John Singleton Copley and of the American Revolution as seen by him.
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