Final Weeks: Visit our Witness to Revolution special exhibit before it closes Sunday, Jan. 5. Info & Tickets

Dismiss notification
Showing 271–280 of 1697 results

Washington's Field Headquarters: Guy Line

Read More

Washington's Field Headquarters: Tensioner

Read More

Washington's Field Headquarters: Pin (Stake)

Read More

Washington's Field Headquarters: Grommets, Hooks, and Eyes

Read More

Cost of Revolution: Part 3 Wounded Veteran

Richard Mansergh St. George returned home to Ireland in 1778 physically and emotionally scarred from combat. His traumatic war experience tortured him. St. George’s wound gave him constant pain, made him hallucinate, and caused him to have “fits of insanity.” The death of his wife in 1792, four years into their marriage, magnified his agony. In moments of darkness, St. George used art to manage his “painful remembrances.” An emerging art movement called Romanticism offered St. George a way to express his suffering. As a direct response to the Enlightenment, the growing Industrial Revolution, and the violence of war and revolution, Romanticism emphasized the power of human emotion. Instead of painting realistic landscapes or scenes from the Bible or history, Romantic artists painted love, pain, and fantasy. Such art appealed to Richard Mansergh St. George's wounded heart and soul.
Read More

Cost of Revolution: Traumatized by War

Read More

Cost of Revolution: The Dead Soldier

Read More

Cost of Revolution: The Nightmare

Read More

Cost of Revolution: Richard St. George’s Nightmare?

Read More

Cost of Revolution: Fuseli’s “Urma”

Read More
28 of 170 pages